Daily Brows

Daily Brows

Why Is It So Hard To Write About Art Right Now?

An excerpt from our new Substack, where 5 writers speak about the importance of the written word in times of turmoil

Daily Brows

The Weight of a Sheet of Paper

Jonathan Wateridge's new show at GRIMM is a focus on painting on paper, the delicate balance

Daily Brows

A Refuge in the Sun

Charles Moore reports from CDMX, where Jun Martinez shows at Adhesivo Contemporary

Daily Brows

What is Best Before

Jędrzej Bieńko's meditative painting work at Gunia Nowik Gallery in Warsaw is haunting and illusive

Daily Brows

CAN Art Fair Madrid is Almost Here

UVNT Art Fair (Urvanity Art) has transformed as the art week comes to the Spanish capital

Daily Brows

Monet, Van Gogh, the Paranormal, and a Rodeo

Discussing the blurry line between High and Low

Daily Brows

Edra Soto: The Place of Dwelling

The Puerto Rican artist marks the 10th anniversary of the Atrium Project at the Kemper Museum of Contemporary Art,

Daily Brows

Reflections on Mexico City and the World At Large

Art week, and any week, in the capital is always special; let's hope it stays that way

Daily Brows

Oscar Murillo Has Blown My Mind a Few Times Now

His latest solo show, "el pozo de agu," opened at Kurimanzutto during Mexico City's art week

Daily Brows

The Post-Digital Remixology of Olivier Souffrant

Ahead of his solo presentation with Stems at Zonamaco, the painter is looking at art history from a roof top in Mexico City

Daily Brows

Weaving Waters, Weaving Gestures

A two-decade survey of the intimate works of Claire Tabouret comes to Museum Voorlinden

Daily Brows

The Crack in the Bowl

Henriette Grahnert dissects how to paint an accident