Daily Brows
We've Got the Dislocation Blues
Yu Nishimura continues to strike a nerve in the post-pandemic world
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Reviews
45 articles
Daily Brows
The Rubber Hits the Road
Kim Dacres' "Lost on a Two Way Street" is about maximum movement, frozen in time
Daily Brows
The 4 Seasons of Maud Madsen
Illuminating the stages of her craft, “One Foot in Eden” is a utopia
Daily Brows
America at 250, and a Parade’s End
Matt Bollinger has always been able to capture the energy of this place
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Daily Brows
From Dusk to Dusk
Rafal Topolewski new show at Alice Amati in London is like a dream
Daily Brows
The Opening Credits to Your Memory
John Currin is the master at making the past appear more odd than you remembered
Daily Brows
The Land and Sea Has Done a Number On Me
"California Light and Space (The 21st Century Version)" at Zwirner LA didn't disappoint, and brought place back into the conversation
Daily Brows
The Messy, Vital World of Elle
David Altmejd told us he was exploring his feminine self, and Montreal's Bradley Ertaskiran sees the realization
Daily Brows
Daniel Richter is Dropping Some Funky Dimes
The artist's sixth solo show with GRIMM Gallery in Amsterdam is loose and intuitive
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Daily Brows
Dreams of Pillow Paintings
Guim Tió new show at François Ghebaly is an exploration of the natural flaneur
Daily Brows
Exploring The Roman Campagna
Adrian Ghenie is seeing things we'll never see at his new show in Paris
Daily Brows
The Post-Geological Art of Afterstone
The earthy works of Su Yu-Xin in Venice
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