Ahead of a David Zwirner exhibition drawn from the Studio Museum of Harlem’s 1983 exhibition The Sound I Saw: The Jazz Photographs of Roy DeCarava—which presented a suite of photographs created by DeCarava between the late 1940s and the 1960s—the gallery’s Global Head of Curatorial Projects, Ebony L. Haynes, talked to our co-founder, Evan Pricco. She reflected on discovering the photographer’s archive, the painter’s hand behind his printmaking, and what it means to ask people to slow down. —The Unibrow
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