When Jessica Fredericks and Andrew Freiser founded ⁠Fredericks & Freiser Gallery⁠ in 1996, the art world was a different place. New York was a different place! What surviving as a gallery meant back then has changed drastically in some respects, but the core principles remain: show what you believe it, and do it with honesty and care.

You can listen to the entire interview on Spotify and Apple, or wherever you get your podcasts.

The parts that have changed, indeed, are art fairs, social media, a more savvy artist and more informed collector. But Jessica and Andrew, through a program of showing estate, middle career and young, emerging artists that create what they call "psychological figuration," have weathered multiple storms and the highs and lows of the art market to have one of the most consistent programs in New York. And that is important, as they know they often give an artist their long-sought-after "first New York solo show." That, to this day, will always be a milestone.

We sat down with Jessica and Andrew the week of the Independent Art Fair, one of two big art weeks in New York during the year, just after they opened a solo show with Maria Calandra a few nights before. This is the type of schedule we wanted to know about. What makes a gallery work? What makes them interested, three decades into their careers as dealers? What are the ups? The downs? What has changed? Is New York still the epicenter of Art?

In this conversation, we talk about the early years of the gallery and how to establish a program that lasts 30 years. From being one of the first galleries in Chelsea, to the blessing of ⁠John Wesley⁠ and being one of the first galleries to show ⁠Jenna Gribbon⁠, they have many stories to tell over 3 decades. 

That is no small feat in the gallery world, and the advice and direction both Jessica and Andrew have taken and given over the years offers an insight for all galleries starting up today.

You can listen to the entire interview on Spotify and Apple, or wherever you get your podcasts.

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Danielle Roberts, L'Absinthe in Orbit, 2026, Acrylic on canvas
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Lamar Peterson, A Man with a Garden Hose, 2024, Oil on canvas
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Jocelyn Hobbie, Polka Dot Swoon, 2022, Oil on canvas
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Kate Pincus-Whitney, The Gods are in the Kitchen: Home Harvest (for Hecate), 2022
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Lizzy Lunday, Crowded in the Woods, 2026, Oil on canvas
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Maria Calandra, Field Poppy (Brooklyn Botanical Garden), 2026, Acrylic on linen
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Jenna Gribbon, Mackenzie's Lack of Interest in Gallery 827, 2019, Oil on linen
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Louisa Owen, Trailways, 2026, Paper mache, antique paper, acacia thorns, rose thorns, queen annes lace, mixed clay, resin, wood plinth

Top image: John Wesley, Good Night,1998, Acrylic on canvas

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