Back for round two.

The noise of the present, the echo of the past.

Issue #02 (Spring/Summer 2026) available now.

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Daily Brows

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Daily Brows

We've Got the Dislocation Blues

Yu Nishimura continues to strike a nerve in the post-pandemic world

Daily Brows

The Rubber Hits the Road

Kim Dacres' "Lost on a Two Way Street" is about maximum movement, frozen in time

Daily Brows

We've Got the Dislocation Blues

Yu Nishimura continues to strike a nerve in the post-pandemic world

Daily Brows

The Rubber Hits the Road

Kim Dacres' "Lost on a Two Way Street" is about maximum movement, frozen in time

Daily Brows

The Friendship Story as Old as Time

Nieves González’s new show at Richard Heller sees a growing storyteller

Daily Brows

The 4 Seasons of Maud Madsen

Illuminating the stages of her craft, “One Foot in Eden” is a utopia

Daily Brows

What I Learned About Art By Watching Widow's Bay

From The Unibrow Substack, an excerpt on love, Matthew Rhys and Tennessee Williams

Daily Brows

35 Pieces of a Whole Truth

Woody De Othello altar-like installation highlights Art Basel Unlimited

Daily Brows

Before You Stop the World and Get Off

Elliott Pittam’s solo show in London is a future throwback to how we always were

Daily Brows

David Hockney Taught Us To See

The British painter never stopped seeing the light

Daily Brows

The Friendship Story as Old as Time

Nieves González’s new show at Richard Heller sees a growing storyteller

Daily Brows

The 4 Seasons of Maud Madsen

Illuminating the stages of her craft, “One Foot in Eden” is a utopia

Daily Brows

What I Learned About Art By Watching Widow's Bay

From The Unibrow Substack, an excerpt on love, Matthew Rhys and Tennessee Williams

Daily Brows

35 Pieces of a Whole Truth

Woody De Othello altar-like installation highlights Art Basel Unlimited

Daily Brows

Before You Stop the World and Get Off

Elliott Pittam’s solo show in London is a future throwback to how we always were

Daily Brows

David Hockney Taught Us To See

The British painter never stopped seeing the light

Get it in print

Issue #02 now available.

Issue #01 is available for individual purchase.

Subscribe Now Purchase a copy of issue #01

Interviews

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Interviews

Nick Cave

Amalgams and Graphts was Nick Cave’s reentry into the public consciousness, his first solo show in over 3 years. He opens up about nearly 40 years of making a statement.

Interviews

Sasha Gordon

With one of the blockbuster exhibitions of the fall, Sasha Gordon on her works at David Zwirner, Korean horror films and why she didn't stick with fashion

Against a Bright, Blue Sky

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Stories

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Stories

Hot Glass

From the Funk Movement to Blown Away, there’s a new energy in one of the oldest of mediums

Stories

Cringe Beauty

Inside the Dynamic Confusion of Christian Rex van Minnen

Stories

Jazz, Clay, and the Alchemy of Form

In retrospect, Frimkess’ body of work can be seen not merely as the output of a ceramicist, but as the expression of an artist engaged in an ongoing metaphysical exploration.