Painting

Daily Brows

What is Good Looking?

Raymond Lemstra's Tokyo solo at Nanzuka Underground gave me FOMO on multiple layers. Let me try to explain...

Daily Brows

Why I Need To Explain Myself About Liking Cigarettes in Paintings

A concerned citizen asked a question, so I'm answering it in public

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Notes from Raymond Saunders

David Zwirner opens the first Los Angeles exhibition devoted to the artist’s work in more than a decade

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The Hunt for a Good Deep Red

Patrick H. Jones shines with "Crowded Emotions" in Seoul at Duarte Sequeira Gallery

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The Weight of a Sheet of Paper

Jonathan Wateridge's new show at GRIMM is a focus on painting on paper, the delicate balance

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What is Best Before

Jędrzej Bieńko's meditative painting work at Gunia Nowik Gallery in Warsaw is haunting and illusive

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We Are All in Need of a Good Folk Tale

The evolution of Hilda Palafox as a storyteller has never been more palpable than at Sean Kelly in NYC

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Katelyn Ledford and the Miraculous Appearance of Craft

At Fredericks & Freiser, a deconstruction and rebuild of the painting imagination

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Susan Chen and the Old Cape Cod

At Night Gallery, the NY artists looks northward to New England and the American landscape

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The Most Disgustingly Beautiful Mess You Will Ever See

Chrisitian Rex van Minnen proves again at Nanzuka in Tokyo that he is at the top of his game in the sublimely gross

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The Glass Dream Game

A transformational experience in the works of Æmen Ededéen (Joshua Hagler)

Daily Brows

The Sound of South London

Cato's major debut at Saatchi Yates is a rhythm of imagery